Alt.Fiction 2011: Cakes, Raffles and the Shepard Shuffle

Things I learnt about at this weekend’s Alt.Fiction: the direction of modern science-fiction, John Wayne, 1980s toy related comics, memetic theory in relation to religion and mythology, the Gordon the Gopher novel, waxed moustaches, Thai food, and… lots of other great stuff.

 

Alt.Fiction is like that. It’s a whirling multicoloured pinball machine of an event, where you bounce wildly from one interesting talk to another- whether that’s in a panel, a podcast or just by the bar while you’re drinking a cider. I think this is why it is regarded as one of the friendliest of conventions, the one where you make new friends in a short space of time and have more giggles over the drawing of a raffle than is strictly healthy.

 

In my opinion the real heroes of Alt.Fiction* are those writerly people (I’m including all manner of authors, publishers and publicists here) who probably were amazingly busy and probably did have a hundred people they had to meet up with but still stopped to say hello and have a natter. It’s easy for the writer at the beginning of his or her career to feel like publishing is a big exclusive circus on the moon with clowns made of gold, where everyone already knows each other and you are a tiny orphan child with a homemade t-shirt saying “I luv cirkuses”: the publishing people who pause to make the experience an inclusive, positive one are absolute stars and I cannot praise them enough.

 

I was involved in two podcasts this weekend and was pleased (and slightly alarmed) at the number of people who turned up for both, even the one on Sunday when we must all have had thumping headaches and delicate stomachs. Big thanks to Adam Christopher and Kim Lakin-Smith who spoke more sense about steampunk than I was capable of, and much slightly hungover gratitude to the lovely Jenni Hill, Mark Charon Newton and Graham McNeill who were all utterly charming and gave me an excuse to blather on about video games. Adele Wearing and Vincent Holland-Keen kept the whole thing running smoothly with style and panache, and indeed were true podcasting heroes.

 

Other highlights include meeting up with twitter buddies Andrew Reid (@mygoditsraining) and Hollie Chapman (@holliechapman86); talking to Graham McNeill about Dragon Age 2; the Mythology in Writing podcast where a brass band attempted to upstage the panel; and Dave Moore’s impromptu grammar demonstration over sticky rice. There were loads of other great moments but I think I’ll need a few days for my brain to process them all, and indeed I wish I’d had the good sense to bring a camera- a few pictures would have helped me remember everything beyond the haze of coffee and alcohol.

 

Looking forward to next year already!

 

*the bar staff were also heroes.

The Meaning of Steampunk

I was watching the eddies of conversation collide today on twitter, as you do, and I spotted a mini steampunk discussion. Given that I’ll be involved in a podcast on the subject this Saturday at Alt.Fiction, it caught my eye and now has me contemplating the actual meaning of the term “steampunk”.

            Adam Christopher (also podcasting on goggles and airships this weekend) mentioned that he couldn’t see how The Anubis Gates was a steampunk book, as there are no steam-based technologies in the story. In fact, the catalyst behind what is, quite frankly, a fantastic book is ancient Egyptian magic and time travel (also magical) that has nothing to do with Victorian steam-tech at all.

            This is a fair point. The reason it’s interesting to point this out with The Anubis Gates in particular is that Tim Powers is one of those mentioned in the famous letter to Locus magazine that coined the phrase in the first place.

…Personally, I think Victorian fantasies are going to be the next big thing, as long as we can come up with a fitting collective term for Powers, Blaylock and myself. Something based on the appropriate technology of the era; like "steampunks", perhaps...

—K.W. Jeter

 

So if The Anubis Gates isn’t steampunk, then what is? What does it actually mean? Personally I like to think of the sub-genre as Historical Science Fantasy, but even that is a bit wobbly if we want it to cover TAG. Where is the science, really? This got me thinking though- do we really take the “steam” in steampunk to refer only to outlandish steam powered technology, such as Abraham Lincoln robots or flying machines? Or is steam actually a shorthand way of referring to a certain period of history, namely the Victorian era? (Whether or not we uproot that era and place it elsewhere, I think that’s really the heart of the genre). In other words, is steam actually just referring to the time of the industrial revolution, regardless of how much unlikely tech you’ve got in your Victorian Fantasy?

 

I’d love to know what you all think! So put on your best automated top hat, fire up the steampowered abacus and tell me what you think the term steampunk actually means.

Alt.Fiction Approaches! 25th-26th June

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Alt.Fiction is very close indeed now, not this weekend but the next in fact. I went last year and had an absolute blast- I even, dare I say, learnt quite a lot about publishing and writing, alongside the lovely sense of community and shared geeky joy in discussing genre books. If you are at all interested in science-fiction, fantasy or horror this is the con to go to; it’s relaxed, fun and the schedule looks cracking this year too.

 

Alastair Reynolds and Dan Abnett are the Guests of Honour, there are workshops and screenings galore and no doubt a lively non-stop gathering in the bar, so do come along (you can see the list of guests and the full schedule here). My good friend Adam Christopher will be reading from his soon to be published book Empire State, and I’ll be talking on a couple of podcasts too- one on steampunk with Adam and the lovely Kim Lakin-Smith, and another on the rather juicily titled subject “Is Genre Just for Boys?” with Jenni Hill, Mark Newton and Graham McNeill. If you are there do pop over with your questions, moral support or flasks full of strong liquor.

 

See you there!

 

(ooo, look! Just noticed that my author page is up on the alt.fiction website! This pleases me*)

 

* The steampunk anthology, Her Majesty's Mysterious Conveyance, will be out soon, but more about that in another post.

Alt Fiction 2010

So this weekend gone was Alt Fiction weekend, and a marvellous time was had by all.

I won’t say too much about it, because I suspect it has already been blogged to infinity and back by better bloggers than I, but I will just run down a few personal highlights.

This was the first “big” convention I’d been to, and I don’t think I could have chosen a better one to start with- it was well organised, with no huge geek pile-ups, and plenty of room for people to sit comfortably in all the talks, and there was a general relaxed atmosphere that added to the friendliness of the event. There was a cafe/bar on the ground floor that served as a great “Let’s have a bit of a rest here and oh, go and talk to so and so…” area, and we ended up spending a remarkably long day having quite a jolly old time.

Things I particularly enjoyed:

Pete Crowther (publisher and writer and apparently very lovely chap) introduced the con, and then appeared on many panels, and was immediately tremendously friendly and enthusiastic. I think I could have happily followed him from panel to panel all day and had a most informative and enjoyable time.

The Hack and Slash vs Sparkly Vampires panel, where Kari Spelling (fantasy author and fan of duels) described the Angry Boner Man character apparently very popular in Paranormal Romance. I had no idea about Angry Boner Man, but described in that way I suddenly am able to spot Angry Boner Man cropping up everywhere. So to speak.

The How to Get Published Panel, which featured lots of great advice from John Jarrold and Stephen Jones and others. It was both inspiring and vaguely terrifying, realising not just how much work was involved, but also how much luck is needed to get anywhere. I’m not sure if I was exhilarated or depressed coming out of that discussion, but I did feel like I had more of an idea of how the whole thing works. (Jon Weir was on the panel too, that nice young man from Gollancz, and I had that creeping feeling of “Oh no, I’m fairly sure I spoke to you before when I was quite drunk….”)

And then there was the general chatting and meeting of people that forms so much of these things, all of which was a delight. I was tremendously impressed by the lovely hair of Mark Charon Newton (the charming author of Nights of Villjamur) , and amazed that Simon Guerrier (writes lots of things, but most excitingly for me, Being Human books) remembered talking to me at a previous thingy (again, I was quite drunk). I met the lovely Alasdair Stuart (The Hub and Angry Robot Books) while I was rather over excitedly buying a copy of Black Static and had a groovy chat about short story writing. And I am pleased to tell you that Paul Cornell (Doctor Who, comics, Pulse… many many things) likes the name of this blog. So there you go.

A great weekend, and in truth, there were too many lovely moments to list them all here. But a big thank you to everyone who took the time to have a chat with me, and I hope to not be quite so painfully shy at the next one.

7am is early for me, okay?

Some things I am excited about this week:

At this very moment, the next issue of Black Static is winging its merry way towards me, bringing with it all the Campaign for Real Fear stories- including mine. I am very much looking forward to seeing it in print, of course, but I’m also excited to read the other stories and see what statistics were thrown up by the entries. You can find out about the Campaign here, if you’re not familiar with it: http://campaignforrealfear.wordpress.com/

I’ve started a new writing schedule, which involves me getting up brain meltingly early (well, 7am) and carting myself and my notebook off to a local Library, where I take up part of their Quiet Study area working on The Steel Walk (I’d feel slightly bad about this if it weren’t for the fact that everyone else appears to be there to read the newspapers). I’m hoping to do this as often as possible, because against all reasonable sense, I seem to produce some vaguely decent writing at that time of the day. Perhaps it’s the lack of distractions, or perhaps I’m in so much shock at being up early I forget to be tired; either way, The Steel Walk is chuntering on again, thankfully.

And on Saturday I’m going to Alt Fiction! Where I will get to mingle about with other writerly types, and many, many twitter peeps, and hopefully hear lots of interesting talks about genre writing. I will learn things! I will meet people! I will (quite possibly) get drunk! I haven’t been to many conventions, and this one looks like it will be both hectic and brilliant fun. Now, if I can only decide which of the talks to go to…

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