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Editing, the Second Draft and Serious Business
So the second draft of Ink for Thieves is finally finished. I’ll probably need to give it one more read through before I pass it on to my brave and wily beta reading team, but for now the big chunk of work is done. At least, on that book it is. The next couple of months will see more pulling out of hair and knuckle chewing as I read my way through the rough draft of Dead Zoo Shuffle and realise exactly how much delicate surgery that book needs before it’s readable- along with plenty of merry hacking, amputating and other bloody works.
Last night I remembered something Stephen King mentions in his book, On Writing. He said, (I may be paraphrasing slightly here) that you “shouldn’t come lightly to the page”. The first time I read that I don’t think I really understood what he was talking about. I thought perhaps he was suggesting that writing, real writing, was always hard work and could never be fun, which clearly wasn’t true at all. Now, having slogged my way through my first novel-length edit and emerged with what is, hopefully, a much shinier and sexier book, I think I’m starting to understand.
I think he’s talking about an acceptance of the sheer work involved. Yes, it’s fun and there are moments when the story suddenly comes together and the characters wander off to do what they want, and then the writing is exhilarating, but what you are doing is serious business. It is art. And you may well have to write this damn book over and over again until it is any good, and that thought is daunting, but no one ever said this was going to be a walk in the park, where gnomes massage your toesies and butterflies waft their secret songs into your ear holes. Much of the time in fact it’s rather more like heaving a giant dung ball on your back (that may or may not have a diamond secreted in it somewhere) and hauling it to the top of an impossibly tall mountain while goats with sarcastic eyebrows frown at you in a judgemental manner. But that’s alright because this is hardcore, this is SRS BSNS.
At least, I think that’s what he was talking about.
The Tasty Joy of Finishing the First Draft
So, I finished the first draft of Dead Zoo Shuffle a couple of days ago. The last few chapters took a little longer than I anticipated, although so far every single book has been the same; you think you've got the ending all figured out, and then it throws up a few little surprises just when you're convinced you're on the home stretch.
This book has been an interesting journey. It was my first attempt at crime (er, as a genre, I didn't do any actual bank robbing) and my first attempt at novel length first-person narrative. It was the first book I planned chapter by chapter and my first real experiment with the trappings of science-fiction. And I think the risks paid off, at least in terms of how much I enjoyed the writing. In many ways I feel like I found my voice with this story, or the beginnings of it.
There's an awful lot of work still to be done, of course, with the editing and redrafting already looking to be a big job, and there's plenty of stuff I know needs to be tightened, or added, or cut entirely. Unusually though I'm looking forward to it (remind me of this when I actually come to edit the thing, I'm sure I'll be less enthusiastic then).
So now I'm putting Dead Zoo Shuffle aside for a short time while I finish polishing Ink for Thieves. I'm also starting to put together notes on a potential fantasy/steampunk novel called The Iron-Haunted Heart, a project that's been bouncing down my mental rapids for a while now (no, I don't know either) and fiddling about with a couple of short stories. I said in January that this would be the year for editing and submitting, didn't I? So as much as I might like writing books and then putting them in a drawer to forget about, I do believe it is time to embrace the red pen...
The End Is In Sight- A Small Writing Update
I’ve not done a writing update for a little while, so here’s a wee quickie.
Dead Zoo Shuffle currently stands at 98,000 words, and is reasonably close to being completed- I would say between another 5,000-10,000 words and I’ll be able to write THE END in a giant font and dance around the room. I already know that DZS will need a heavy beating with the editing stick, not to mention the addition of an entire subplot that needs to go in there somewhere, so the work is far from over. Still, I’ll be glad to have the first draft under my belt at least.
This is a strange stage. Now that I’m so close, finishing the book seems, for the first time, inevitable. At no other point in the first draft do I feel like I’m definitely going to get to the end. I spend most of the draft convinced that I will lose all energy and enthusiasm and splutter out at around the 65,000 word mark (I usually get this feeling most intensely at the 60,000 word mark, funnily enough). So this is a nice place to be. Another week, two weeks, and I’ll get there if I keep plodding on. Although, Marshall and Zootsi have been so much fun to write that I’m glad there’s going to be at least two more books in the DZS series - I couldn’t bear to part with them at the moment!
So I'm thinking I need to develop some sort of writer's ritual for finishing the book. You know, type THE END, sit back, light a cigar. Or have a glass of wine. Or break open that special box of chocolates. Or sprint round the block banging a saucepan with a dessert spoon whilst singing Lady GaGa's Bad Romance.
Any suggestions? And if you're a writer, do you have a ritual?
Sauce
The Year that was Writing Dangerously
The Brave Bit
Dark Fiction Magazine's Twelve Days Anthology
Dead Zoo Shufflings
Nanowrimo & the Small Plastic Dragon
Good luck!
Stealth post!
*holes!


