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The Meaning of Steampunk
I was watching the eddies of conversation collide today on twitter, as you do, and I spotted a mini steampunk discussion. Given that I’ll be involved in a podcast on the subject this Saturday at Alt.Fiction, it caught my eye and now has me contemplating the actual meaning of the term “steampunk”.
Adam Christopher (also podcasting on goggles and airships this weekend) mentioned that he couldn’t see how The Anubis Gates was a steampunk book, as there are no steam-based technologies in the story. In fact, the catalyst behind what is, quite frankly, a fantastic book is ancient Egyptian magic and time travel (also magical) that has nothing to do with Victorian steam-tech at all.
This is a fair point. The reason it’s interesting to point this out with The Anubis Gates in particular is that Tim Powers is one of those mentioned in the famous letter to Locus magazine that coined the phrase in the first place.
…Personally, I think Victorian fantasies are going to be the next big thing, as long as we can come up with a fitting collective term for Powers, Blaylock and myself. Something based on the appropriate technology of the era; like "steampunks", perhaps...
So if The Anubis Gates isn’t steampunk, then what is? What does it actually mean? Personally I like to think of the sub-genre as Historical Science Fantasy, but even that is a bit wobbly if we want it to cover TAG. Where is the science, really? This got me thinking though- do we really take the “steam” in steampunk to refer only to outlandish steam powered technology, such as Abraham Lincoln robots or flying machines? Or is steam actually a shorthand way of referring to a certain period of history, namely the Victorian era? (Whether or not we uproot that era and place it elsewhere, I think that’s really the heart of the genre). In other words, is steam actually just referring to the time of the industrial revolution, regardless of how much unlikely tech you’ve got in your Victorian Fantasy?
I’d love to know what you all think! So put on your best automated top hat, fire up the steampowered abacus and tell me what you think the term steampunk actually means.
The Tasty Joy of Finishing the First Draft
So, I finished the first draft of Dead Zoo Shuffle a couple of days ago. The last few chapters took a little longer than I anticipated, although so far every single book has been the same; you think you've got the ending all figured out, and then it throws up a few little surprises just when you're convinced you're on the home stretch.
This book has been an interesting journey. It was my first attempt at crime (er, as a genre, I didn't do any actual bank robbing) and my first attempt at novel length first-person narrative. It was the first book I planned chapter by chapter and my first real experiment with the trappings of science-fiction. And I think the risks paid off, at least in terms of how much I enjoyed the writing. In many ways I feel like I found my voice with this story, or the beginnings of it.
There's an awful lot of work still to be done, of course, with the editing and redrafting already looking to be a big job, and there's plenty of stuff I know needs to be tightened, or added, or cut entirely. Unusually though I'm looking forward to it (remind me of this when I actually come to edit the thing, I'm sure I'll be less enthusiastic then).
So now I'm putting Dead Zoo Shuffle aside for a short time while I finish polishing Ink for Thieves. I'm also starting to put together notes on a potential fantasy/steampunk novel called The Iron-Haunted Heart, a project that's been bouncing down my mental rapids for a while now (no, I don't know either) and fiddling about with a couple of short stories. I said in January that this would be the year for editing and submitting, didn't I? So as much as I might like writing books and then putting them in a drawer to forget about, I do believe it is time to embrace the red pen...
A Steampunk Anthology: Her Majesty's Mysterious Conveyance
So my exciting news this week is that my novella, The Hidden History of Stones; Or How the Sinking Jenny Was Sunk, will be appearing in a steampunk anthology from Echelon Press. Her Majesty’s Mysterious Conveyance is due out in May and will also include lovely long novellas from Adam Christopher, Kim Lakin-Smith, Nick Valentino and Sean Hayden. I’ve mentioned the steampunk story I’ve been writing here and there, normally in reference to how long it took me to write it…
It was quite a challenge for me. Although like most SFF fans I am very familiar with steampunk in all its brassy glory, I’ve never actually written any. I tend to dawdle around the fantasy and horror end of the woods, where as steampunk is more in the science-fiction/fantasy area. The idea of writing a novella was also reasonably new, given that I tend to write either very short shorts or reasonably long books. I struggled at first, anxious that it be “steampunk enough” and aware that I was trying to get familiar with a new pace of fiction, but once I’d figured out that what I really needed to do was just tell a story I wanted to hear, I rather enjoyed it. In the end, there is plenty I love about The Hidden History of Stones (including its ludicrously long title) and there’s even a character I would like to write about again one day…
So yes! I am dead proud of this and very chuffed indeed that my story will appear next to some fabulous bits of fiction. I will slather this blog in details as soon as I have them.



